GreatWritersFranzKafka
Wednesday, 1 August 2012
Summer Solstice
Posted on 17:59
by Unknown
Email This
BlogThis!
Share to X
Share to Facebook
Share to Pinterest
Posted in
|
No comments
Newer Post
Older Post
Home
0 comments:
Post a Comment
Subscribe to:
Post Comments (Atom)
Popular Posts
"A tiger - in Africa?" - Monty Python's The Meaning of Life (1983): The First Zulu War. Natal 1879 (not Glasgow)
Democracy and humanitarianism have always been tarde marks of the British Army and have stamped its triumph throughout history, in the furth...
California Through the Lens of Hollywood by Dana Polan
From the cartoons that I watched on television in my East Coast childhood, I remember what was for me a primary image of California. Several...
Most Evil Women in History: Satan's Daughter Elisabeth Förster-Nietzsche
Elisabeth Förster-Nietzsche, (born July 10, 1846, Röcken, near Lützen, Prussia [Germany]—died Nov. 8, 1935, Weimar, Saxe-Weimar-Eisenach [G...
The Two versions of the Imaginary - Maurice Blanchot, The Space of Literature
But what is the image? When there is nothing, the image finds in this nothing its necessary condition, but there it disappears. The image ne...
The Mother of All Bubbles - Gordon Gekko - Wall Street: Money never sleeps
You wanna know what the mother of all bubbles was? Us. The human race. Scientists call it the Cambrian Explosion, from the Cambrian fauna.It...
The Commercial Aesthetic of Titanic by Richard Maltbay
The Utopian resolution of Titanic (1997) sees the abolition of class distinction and the marriage of commerce and aesthetics. Produced by ...
Poesia e Composição - A Inspiração e o Trabalho de Arte, João Cabral de Melo Neto (Versão Integral)
(Conferência pronunciada na Biblioteca de São Paulo, em 13.11.52,no curso de Poética) A composição que para uns é o alto de aprisionar a poe...
Luis Bunuel and the Snares of Desire by Michael Richardson
For many people, including most of the surrealists who have written on cinema, Luis Bunuel is the surrealist film maker. For Octavio Paz, Bu...
The God’s Script by Jorge Luis Borges
The prison is deep and of stone; its form, that of a nearly perfect hemisphere, though the floor (also of stone) is somewhat less than a gre...
Hegelianism For Dummies
No doubt we are intelligent. But far from changing the face of the world, on stage we keep producing rabbits from our brain, and snow-white ...
Blog Archive
►
2013
(133)
►
August
(6)
►
July
(11)
►
June
(22)
►
May
(23)
►
April
(21)
►
March
(17)
►
February
(19)
►
January
(14)
▼
2012
(269)
►
December
(20)
►
November
(15)
►
October
(12)
►
September
(7)
▼
August
(22)
Lost (1994-2010): We re Not in Portland Anymore: L...
The Full Monty Film, Class and National Identy: Re...
Karlheinz Stockhausen: Musik für eine neue Welt
California Through the Lens of Hollywood by Dana P...
Under the Flag of War: The First European Civil Wa...
Hieronymus Bosch’s World Picture by Joseph Leo Koe...
Modernity by Nichloas Mirzoeff
The Grandeur of H.G. Wells by Robert Crossley
“Mad and Bad – 60 Years of Science on TV” Uma jorn...
Nikola Tesla and the Ultimate Weapon (HAARP) - Mas...
1939: Hollywood’s Greatest Year
The Hell of Hiroshima
Architectures Series (German French ARTE)
Behind the Planet of the Apes (1998)
Human All Too Human (BBC)
Hannah Arendt: Denken und Leidenschaft
Summer Solstice
Deutscher Streitfall: Der Historiker Ernst Nolte ...
Who killed Walter Benjamin by David Mauas
Martin Heidegger or Philosophy as German Kistch: a...
Martin Heidegger - Im Denken unterwegs
Jürgen Habermas Kolloquium zum 80. Geburtstag
►
July
(21)
►
June
(27)
►
May
(27)
►
April
(22)
►
March
(24)
►
February
(31)
►
January
(41)
►
2011
(98)
►
December
(26)
►
November
(55)
►
October
(17)
Powered by
Blogger
.
About Me
Unknown
View my complete profile
0 comments:
Post a Comment